BIBILOGRAPHY (A-Z)

Jack Cunningham - Practice Based PHD

A

Aknai, K (2003) Faith (A Chain of Rings that belongs to Her). Lisbon: Galleria Assirio & Alvim.
Alun-Jones, D & Ayton, J. (2005) Charming. London: Thames & Hudson.
Amador, C (2002) Distinct/Distincto (An exchange exhibition of Contemporary Catalan and British jewellery). Barcelona: HIPOTESI Gallery.
Amabile, T.M. (1999) Journal of Creative Behaviour. The Social Psychology of Creativity. [Volume 3 Issue 3: Third Quarter] Buffalo: The Creative Education Foundation.
Anderson, P (1998) Contemporary Jewellery in Australia & New Zealand. Sydney: Craftsman House - G+B Arts International.
Armstrong, L (2002) LIVESTRONG, Survivorship Stories. Available from:<http://www.lancearmstrong.com/> [Accessed 11/11/02] Astfalck, J (2005). Proceeding of the Maker-Wearer-Viewer Symposium. The Glasgow School of Art 05/03/05. [A sound recording is available].
Astfalck, J (2005), ‘Jewellery as a Fine Art Practice’, in J. Astfalck, C. Broadhead & P. Derrez (eds.), New Directions in Jewellery. London: Black Dog Publishing. 18-24.

B

Bailey, S (1985) National Characteristics in Design. London: V&A Museum - Boilerhouse Project.
Bailin, S (1994) Achieving Extraordinary Ends. New Jersey: Ablex Publishing Corporation.
Baines, R (2001) Nocturnus. Tallinn: Estonian Academy of Arts.
Bal, M (1985) Narratology: Introduction to the theory of narrative. Toronto: University of Toronto Press.
Bal, M (2001). Looking In: the art of viewing. Abingdon: Routledge.
Barthes, R (1977). Image Music Text. ‘Rhetoric of the Image’. London: Fontana Press.
Bell, R (2006)Material Culture – Aspects of contemporary Australian craft and design. Available from: [Accessed 11/10/2006].
Bennett, D & Mascetti, D. (1989) Understanding Jewellery. Massachusetts: Antique Collectors Club.
Besten, L den (2002), ‘Not All is What it Seems’, in H, Barends & R, Peters (eds.), Change – Ruudt Peters. Amsterdam: Voetnoot. 1-7.
Besten, L den (2005). Tall Stories: A Narrative Proceeding of the Maker-Wearer-Viewer Symposium. The Glasgow School of Art 05/03/05. [A sound recording is available].
Besten, L den (2005). A lese smykker – on narrative smykkekunst. Available from: http://www.klimt02.net/ [Accessed 24/02/06] Oslo: Kunsthandverk.
Besten, L den (2006). Sterke Verhalen (Tall Stories). Jakarta: Erasmus Huis, H.R. Rasuna Kav.
Bischoff, M (2002). Manfred Bischoff - Isabella Stewart Gardner Museum, Boston. Vienna: Schlegrugge Museumplatz.
Blackburn, S (1999). Think. London: Oxford University Press.
Bonneau, G.A., & Amegan, S (1999). The Journal of Creative Behaviour. Evaluating Community Creativity and Innovation: Methodological Proposal and Reflections. [Volume 33 Issue 3: Third Quarter] Buffalo: The Creative Education Foundation
Boot, M (2003) Truike Verdegaal – Portraits. Amsterdam: Galerie Louise Smit.
Borup, K (2005). Personal letter to author 31/01/05, Copenhagen, Borup.
Braham, F (2002). Trois Visions D’un Corps – Bijou Contemporain. Ville de Cagnes-Sur-Mer: Direction des Affaires Culturelles.
Britton, H (2004) Helen Britton – Second Nature. Queensland: The Queensland Art Gallery.
Bueler, Crump, Hepburn, Kevlin, Sedgwick, Suzuki. (2004) Dust to Dust. Essex: University of Essex.
Burton, S de (2006). Financial Times. A Small Measure of Success. London: Financial Times [Weekend 11/02/06].

C

Cavalchini, P (2002). Manfred Bischoff - Isabella Stewart Gardner Museum, Boston. Vienna: Schlegrugge Museumplatz.
Chalmers, R (2001). GQ. Lord of the Rings. London: GQ Magazine [Style – Issue 08/01] Cheng, S. K (1999). The Journal of Creative Behaviour. East-West Difference in Views on Creativity. Buffalo: The Creative Education Foundation. [Volume 33, Issue 2: Second Quarter].
Cobley, P (2000). Narrative: the New Critical Idiom. London: Routledge.
Codrescu, A & Herman, L (2001). Thomas Mann – Metal Artist. Wisconsin: Guild Publishing.
Cole, D.G., Sugioka, H.L., & Yamagata-Lynch, L.C. (1999). The Journal of Creative Behaviour. Supportive Classroom Environments for Creativity in Higher Education. [Volume 33 issue 4: Fourth Quarter] Buffalo: The Creative Education Foundation.
Crozier, R (1994). Manufactured Pleasures. Manchester: Manchester University Press.
Cumming, E (2004). Crafts. Jack Cunningham – Travelling Gallery. London: Crafts Council [Issue March/April 04].
Cunningham, J (1986). Dazzle Invites. Edinburgh: City of Edinburgh Museums, and Art Galleries.
Cunningham, J. (2000). Journey. Glasgow: The Glasgow School of Art.
Cunningham, J (2005). Maker-Wearer-Viewer. Glasgow: The Glasgow School of Art.
Cunningham, J (2005). Proceeding of the Maker-Wearer-Viewer Symposium. The Glasgow School of Art 05/03/05. [A sound recording is available].
Cuyas, R Puig (2001). Galerie Marzee #17. Nijmegen: Galerie Marzee.
Cuyas, R Puig (2002). Reliquium – Carolina Vallejo. Denmark: Rhodos, International Science and Art Publishers.
Cuyas, R Puig (2005). The Magnitude of the Little Dimension. Proceeding of the Maker-Wearer-Viewer Symposium. The Glasgow School of Art 05/03/05. [A sound recording is available].

D

Dalgleish, G, R (1991). The Art of Jewellery in Scotland. Edinburgh: HMSO.
Dali, S (2001) Dali Jewels-Joyas. Figueres: Gala-Salvador Dali Foundation.
Derrez, P (1987). Verena Sieber-Fuchs. Amsterdam: Galerie RA.
Donszelmann, B (2005). Love Zoo. Birmingham: Birmingham Institute of Art and Design.
Dormer, P (1988). Design After Modernism. London: Thames and Hudson.
Dormer, P & Turner, R (1985). The New Jewelry: Trends + Traditions. London: Thames and Hudson.
Dramstad, H (2001) Nordisk Smycke Triennal 2. Copenhagen: Nyt Nordisk Forlag, Arnold Busck A/S.
Drutt English, H & Dormer, P (1995). Jewelry of our Time. London: Thames and Hudson.
Drutt English, H (2001). Findings, the Jewelry of Ramona Solberg. Seattle: The University of Washington Press.
Duyn, M van (1999). Truike Verdegaal. Amsterdam: Galerie Louise Smit.
Dybdahl, L (1995), ‘Danish Jewellery: the 20th Century’, in J. Lohmann & L. Funder (eds.), Nordisk Smykkekunst Nordic Jewellery. Copenhagen: Nyt Nordisk Forlag, Arnold Busck A/S. 9-22.

E

Edgar, J (1989). Craft Arts International (Bone Stone Shell – New Jewellery New Zealand). [March/June issue 15] Sydney: Ken Lockwood.
Ewington, J (2004). Helen Britton – Second Nature. Queensland: The Queensland Art Gallery.
Ewington, J (1995). Owner’s Manual. Auckland: Starform.
Eysenck, H (1995). Genius, The Natural History of Creativity. Cambridge: University Press.

F

Ferreira, E & Petro, M (2005). Closer. Lisbon: Instituto Português de Museus.
Fraser, S (2001). Contemporary Japanese Jewellery. London: Merrell.
Fukuchi, K (2001). Contemporary Japanese Jewellery. London: Merrell.
Funder, L (2004). Gitte Bjorn: Identity – Resource and Choice. Copenhagen: Galerie Metal.

G

Game, A (1997). Eun-Mee Chung: Identity and Belonging. Seoul: Galerie Bhak.
Game, A (2000), ‘Journey’, in J. Cunningham (ed.), Jack Cunningham – Journey. Glasgow: The Glasgow School of Art. 22-30.
Game, A (2005), ‘Adventure and Power’, in J. Cunningham (ed.), Maker-Wearer-Viewer. Glasgow: the Glasgow School of Art. xiii-xviii.
Game, A (2007) An email exchange: 13/06/07 – 21/06/07 between Amanda Game (Director: The Scottish Gallery, Edinburgh) and the author.
Game, A & Goring, E (1998). Jewellery Moves. Edinburgh: National Museums of Scotland.
Gaspar, M (2003). OJO! An Exhibition of Contemporary Spanish Jewellery. Manchester: City College Manchester.
Gaspar, M (2005). BCN: Jewellery Factory – Contemporary Jewellery from Barcelona. Manchester: City College Manchester.
Gere, C & Munn, G ( ). Artists’ Jewellery, Pre-Raphaelite to Arts and Crafts. Suffolk: Antique Collectors’ Club.
Ghiselin, B (1995). The Creative Process. Berkeley: University of California Press.
Goring, E (2005). Proceeding of the Maker-Wearer-Viewer Symposium. The Glasgow School of Art 05/03/05. [A sound recording is available].
Gilham, B (2000). Case Study Research Methods. London: Continuum.
Goring, E (2006). Metalsmith: Exhibition in Print. (Jewelry and Communication: Breaking the Code). [Volume 26 number 4] Oregon: Society of North American Goldsmiths.
Grahn, G (2001) Nordisk Smycke Triennal 2. Nordic Jewellery. Copenhagen: Nyt Nordisk Forlag, Arnold Busck A/S.
Greenbaum, T (1995). One of a Kind – American Art Jewelry Today. New York: Harry N. Abrams.

H

Hansen, L (2004). Personal letter to author 20/02/04 Blairlogie: Hansen.
Haviland, W (1996). Cultural Anthropology. Texas: Harcourt Brace.
Heikkila, J (2001). Nordisk Smycke Triennal 2. Nordic Jewellery. Copenhagen: Nyt Nordisk Forlag, Arnold Busck A/S.
Henshilwood, C, d’Errico, F, Vanhaereny, M, Niekerk, K van & Jacobs, Z (2004). Science. Middle Stone Age Shell Beads from South Africa.
Available from: [Accessed 06/05/04] Volume 304, Issue 5669, 404.
Hida, T (1995). Contemporary Jewellery – Exploration by Thirty Japanese Artists. Tokyo: The National Museum of Modern Art.
Hida, T (2001). Contemporary Japanese Jewellery. London: Merrell.
Hirv, P (2001). Nordisk Smycke Triennal 2. Nordic Jewellery. Copenhagen: Nyt Nordisk Forlag, Arnold Busck A/S.
Hiramatsu, Y (1995). Contemporary Jewellery – Exploration by Thirty Japanese Artists. Tokyo: The National Museum of Modern Art, Tokyo.
Hogg, D (2005). Maker-Wearer-Viewer. Proceeding of the Maker-Wearer-Viewer Symposium – Panel/Audience Discussion. The Glasgow School of Art 05/03/05. [A sound recording is available].
Hout, M-J van den (1998). Sieraden de Keuze van Nijmegen – Jewellery Nijmegen’s Choice. Nijmegen: Galerie Marzee.
Hout, M-J van den (2002). Ruudt Peters. Amsterdam: Voetnoot.
Hout, M-J van den (2004). An email exchange: 29/10/04 – 18/11/04 between Marie-Jose van den Hout (Owner/Director: Galerie Marzee, Nijmegen, the Netherlands) and the author.
Hughes, D (1982). Jewellery Redefined. London: The British Craft Centre.
Hughes, G (1972). The Art of Jewelry. London: Studio Vista.
Hughes, G (1974). Seven Golden Years. London: Worshipful Company of Goldsmiths.

J

Joyce, M & Isaksen, S (1997). An Introduction to Creativity. Massachusetts: Copley Custom.
Jackson, A (1997). Against the Autonomy of the Craft Object. Proceeding of the conference: Obscure Objects of Desire – Reviewing the crafts in the Twentieth Century. University of East Anglia 10/01/97.

K

Karmona, K (2003). OJO! An Exhibition of Contemporary Spanish Jewellery. Manchester: City College Manchester.
Keisch, C (2004). 13 Necklaces – Jewellery by Dorothea Prühl. Nijmegen: Gallery Marzee.
Kodres, K (2001) Nocturnus. Tallinn: Estonian Academy of Arts.
Kunzli, O (1992). Das ditte Auge. Amsterdam: Stedelijk Museum.

L

Landry, C & Bianchini, F (1995). The Creative City. London: Demos.
Lanllier, J & Pini, M-A (1983). Five Centuries of Jewellery. New York: Leon Amiel.
Larsen, H (1984), ‘Notes on the Work’, in H. Larsen (ed.), Cross Currents. Sydney: Power House Museum. 8-9.
Leest, F van der (2002). Dutch Diversity. London: Lesley Craze Gallery.
Lewin, S (1995). One of a Kind – American Art Jewelry Today. New York: Harry N. Abrams.
Liivrand, H (2001) Nocturnus. Tallinn: Estonian Academy of Arts.
Lobjakas, K (2001). F.F.F.F. Tallinn: Estonian Applied Art Museum.

M

Malk, K (2001). Nocturnus. Tallinn: Estonian Academy of Arts.
Malk, K & Veenre, T (2004). Metal 2. Tallinn: Estonian Academy of Arts.
Manhart, T (1989). William Harper – Artist as Alchemist. Florida: Orlando Museum of Art.
Markonsalo, T (2001). Nordisk Smycke Triennal 2. Nordic Jewellery. Copenhagen: Nyt Nordisk Forlag, Arnold Busck A/S.
McCoy, J (2005). The Journal of Creative Behaviour. Linking the Physical Work Environment to Creative Context. [Volume 39 Number 3] Buffalo: The Creative Education Foundation.
Mehus, K (2003). Norwegian Contemporary Jewellery. Oslo: Grafisk Produksjon.
Mehus, K (2005). Det Nasjonale Prosjektet (The National Project). Proceeding of the Maker-Wearer-Viewer Symposium. The Glasgow School of Art 05/03/05. [A sound recording is available].
Metcalf, B (1988). Jewellery – Australia Now (On the Nature of Jewellery). Sydney: Crafts Council of Australia.
Metcalf, B (1993). Sculptural Concerns – Contemporary American Metalworking. Cincinnati: Contemporary Arts Centre.
Metcalf, B (1997). The Culture of Craft. Manchester: Manchester University Press.
Meyer-Thoss, C (1996). Meret Oppenheim, Book of Ideas. Berlin: Verlag Gachnang & Springer.
Moignard, E (2005), ‘Narrative and Memory’, in J. Cunningham (ed.), Maker-Wearer-Viewer. Glasgow: The Glasgow School of Art. viii-xi.
Monclus, X. (2002). Distinct/Distincto. Barcelona: HIPOTESI Gallery.
Monzo, M (2005.) BCN: Jewellery Factory – Contemporary Jewellery from Barcelona. Manchester: City College Manchester.
Moore II, F (2004). Red Ribbon Campaign. Available from: http://www.alaska.net [Accessed 01/07/04].
Morton, G (2005). Edinburgh Comes to Clerkenwell, London: Lesley Craze Gallery.

N

Newman, H (1981). An Illustrated Dictionary of Jewelry. London: Thames and Hudson.
Nippierd, L (2001). Nordisk Smycke Triennal 2. Nordic Jewellery. Copenhagen: Nyt Nordisk Forlag, Arnold Busck A/S.

O

O’Hana, S (2003). OJO! An Exhibition of Contemporary Spanish Jewellery. Manchester: City College Manchester.
Olver, E (2002). Jewelry Design: from Idea to Reality. Cincinnati: North Light Books, F+W Publications.

P

Paquet, D (2002). Trois Visions D’un Corps – Bijou Contemporain. Ville de Cagnes-Sur-Mer: Direction des Affaires Culturelles.
Peters, R (2002). Dutch Diversity. London: Lesley Craze Gallery.
Peters, R (2005). Hate. Proceeding of the Maker-Wearer-Viewer Symposium. The Glasgow School of Art 05/03/05. [A sound recording is available].
Poston, D (1994). What is Jewellery? London: Crafts Council.
Price, B (2002). Letter to author. Edinburgh: Price.
Putnam, J (2001). Art and Artifact – The Museum as Medium. London: Thames & Hudson.

R

Ratcliff, C (1980). Joseph Cornell. New York, NY: The Museum of Modern Art.
Read, H (1943). Education through Art. London: Faber and Faber.
Rew, C (2005). Maker-Wearer-Viewer. London: Association for Contemporary Jewellery. [Issue June] Robson, C (2002). Real World Research. Oxford: Blackwell.

S

Sandino, L (2006). Hans Stofer’s Design Wilderness. Solothurn: Galerie S O.
Santos-Shaw, B (2005). Proceeding of the Maker-Wearer-Viewer Symposium. The Glasgow School of Art 05/03/05. [A sound recording is available].
Sandino, L (2002). ‘Studio Jewellery: Mapping the Absent Body’, in P. Greenhalgh (ed.), The Persistence of Craft. London: A & C Black. 107-116.
Schetelich, A (2003). Switch 3X5 Schmuck und tragbare Objekte. Ausbau: Herausgegeben von Schmuck.
Schillito, A-M (2000). Jack Cunningham – Journey. London: Association of Contemporary Jewellery. [Spring 2000, Issue 11] Schoenfeldt, L & Jansen, J (1997). The Journal of Creative Behaviour. Methodological Requirements for Studying Creativity in Organisations. [Volume 31 Issue 2: Second Quarter] Buffalo: The Creative Education Foundation.
Seki, A (2005). One Hundred Years of Jewellery in Japan: 1850-1950. Tokyo: Tokyo Metropolitan Teien Art Museum.
Staal, G (1990). American Dreams – America Extremes. Gent: Snoeck-Decaju & Zoom.
Stofer, H (2001). Galerie Marzee #19. Nijmegen: Galerie Marzee.
Stofer, H (2005). New Directions in Jewellery. London: Black Dog Publishing.
Swan, P (2005). Title of essay: Maker-Wearer-Viewer. London: Crafts Council [CRAFTS magazine Issue July/August].

T

Takagi, N (1995). Contemporary Jewellery – Exploration by Thirty Japanese Artists. Tokyo: The National Museum of Modern Art.
Tiitsar, K (2001). F.F.F.F. Tallinn: Estonian Applied Art Museum.
Trujillo, M (2002). Distinct/Distincto. Barcelona: HIPOTESI Gallery.
Turner, R (1973). Aspects of Jewellery. Aberdeen: Aberdeen Art Gallery.
Turner, R (1996). Jewelry in Europe and America – New Times, New Thinking. London: Thames and Hudson.
Turner, R (2001) Crafts. Jack Cunningham. London: Crafts Council [Issue September/October 01].
Turner, R (2001) Crafts. Jerwood Applied Arts Prize 2000. London: Crafts Council [Issue January/February 01].

V

Vallejo, C (2002). Reliquium – Carolina Vallejo. Oslo: Rhodos.
Vanhaereny, M, d’Errico, F, Stringer, C, James, S, Todd, J & Mienis, H (2006).
Science. Middle Palaeolithic Shell beads in Israel and Algeria.
Available from: [Accessed 23/06/06] Volume 312 Issue 5781, 1785-1788.
Veiteberg, J (1995), ‘Norwegian Jewellery 1900-1995’, in J. Lohmann & L. Funder (eds.), Nordisk Smykkekunst Nordic Jewellery. Copenhagen: Nyt Nordisk Forlag, Arnold Busck A/S. 129-137.
Veiteberg, J (2001), ‘Jewellery – the art of small objects and large subjects’, in L. Funder (ed.), Nordisk Smycke Triennale 2. Copenhagen: Nyt Nordisk Forlag, Arnold Busck A/S. 18-25.
Veiteberg, J (2005). Proceeding of the Maker-Wearer-Viewer Symposium. The Glasgow School of Art 05/03/05. [A sound recording is available].

W

Watkins, D (2003). Loss. Tallinn: Estonian Academy of Arts.
Wilson, S (2005). Title of essay: Maker-Wearer-Viewer Symposium. London: Association for Contemporary Jewellery. [Issue June] Wingler, H (1969). The Bauhaus. USA: Halliday Lithograph.
Wipperman, A (2003). Galerie Marzee #34. Nijmegen: Galerie Marzee.
Wright, S (2002). Faust Cardinali. Citta di Castello: Artegraf.

Y

Yoshizawa, S (2001). Contemporary Japanese Jewellery. London: Merrell.

List of exhibitions: Solo/Joint

2005 Curator: Maker-Wearer-Viewer Contemporary European Narrative Jewellery.
Touring: The Glasgow School of Art (March). The Scottish Gallery, Edinburgh (June). Galerie Marzee, Nijmegen, The Netherlands (October).
2004 Jack Cunningham – End of The Line, Roger Billcliffe Gallery, Glasgow (November).
2003 Jack Cunningham - On The Line, Touring: The Scottish Gallery, Edinburgh (November). Hélène Porée Galerie, Paris (April 2004). Arai Atelier Gallery, Tokyo (October 2004).
2003 Brooching the Subject, The Travelling Gallery, Scotland (Touring September–December).
2001 Jack Cunningham, Crafts Council Gallery at the V&A Museum, London (May).
2000 Journey – The Jam Factory, Adelaide, Australia. (July-Sept).
2000 Journey – Jewellery Installation. The Lighthouse, Glasgow (January-March).
1997 A Sense of Place Jack Cunningham & Linda Green.
Touring: The Scottish Gallery, Edinburgh (January). Gallery Gallery, Kyoto (April). Art Space Ki, Kyoto (May). Lesley Craze Gallery, London (August).
1992 Jack Cunningham – New Brooches, The Scottish Gallery, Edinburgh (November).
1986 Jewellery & Constructions – Jack Cunningham & Anne Finlay, Open Eye Gallery, Edinburgh (April). Crawford Arts Centre, St. Andrews University.